Archive for Losers

Death is for Losers! And What It Takes to Make a Short Film

Posted in Blog, Making-Of with tags , , , , , , , , , , , , , , , , on July 14, 2016 by Rathan Krueger

It’s been four Summers since my first attempt at making a film. For reasons mostly involving me, it turned into a short film that wasn’t close to what I wanted it to be. I didn’t mean for the gap twixt one directing gig and the other to be so long. I’ve tried many times to get another film off the ground, but it’s damn hard to convince people to give you money if you have nothing to show (but I had nothing to show because I didn’t have money [oh, you vicious cycle…]). I did get a chance to direct again last year, but that was more of a sketch than a drawing. I’m still proud of it, though.

I decided to back away from being a writer-director, for a while, and became just a writer. Almost immediately, things started happening. I wrote a feature film that led me to being part of a production company, Artigianale Films. I made a few industry connections. I got two IMDB credits by way of shorts I wrote. I wrote a dark comedy web series that’ll premiere in September.

I got to write and direct DEATH IS FOR LOSERS!

Here’s the script, too: Death is for Losers!

And the IMDB entry.

The story behind it, like most things, is interesting. The web series has one director and I thought that I could direct an episode. To ease the burden and to get behind the camera. But he said, and I agreed, that things are better with one voice. There was a brief period twixt auditions and filming for the web series where, if I really wanted to, I could squeeze in a short film. And I really wanted to. So I started thinking about what to make.

I knew that it had to have one location, two actors, and very few camera set-ups to comfortably do it in the time I had. Three weeks, from conception to final edit. I wanted to make a comedy (or what passes for a comedy) because I wanted a pallet-cleanser from my usual brand of Sturm und Drang. I quickly latched onto the idea of two women plotting to kill a man, which led to the original title: HOW TO FAIL THE BECHDEL TEST (AND HAVE FUN DOING IT). Because a way to fail the Bechdel Test is to have the female characters do nothing but talk about men. The women were gonna gripe about a man in their lives and settle on killing them. Then it became one woman killing hers and the other killing him in a song. Because of that, one became a martial artist (Ileana) and the other became a musician (Freya). Then I changed the title to DEATH IS FOR LOSERS!, because they were gonna kill/”kill” the losers in their lives. Then Ileana became a lesbian and a musician.

I thought about why they’d kill, and quickly latched onto Freya having a terrible father. With Ileana, I didn’t wanna fall into the trope of a psychotic lover. But I wanted her to have, from her perspective, a strong reason for murder. That’s when I thought of objectophilia. To be left for an inanimate object is grounds to at least entertain the thought of murder, methinks. Then I changed it so they both kill with a song. If I kept the original idea, Ileana was gonna slip more and more into derangement, Freya takes her outside for a smoke, and they pretend like everything’s ok. But since they’re “killers”, it felt better to leave them on the stairs.

Them talking about the worst things in their lives came about because I wanted to make a 20-minute short and needed a way to fill the time. I also wanted to build up to Ileana’s dramatic reveal. Another thing I wanted to do throughout the short was to show sex in a positive as well as a negative light. Usually, sex is A Very Bad Thing, and I wanted it to be A Thing. Freya masturbates and doesn’t feel guilty, Ileana loves burlesque shows, Freya had a bout of incest when she was wee, Ileana’s lover left her for a roller coaster… Oh, and even though Ileana (rightfully) has bad feelings about her ex, I didn’t wanna make fun of objectophilia. It’s an easy joke, and I didn’t think that mocking a fetish was funny. If it’s not child-endangerment or snuff, I don’t see the problem with kink.

Albert Brooks once said that he’s funny in the way people are funny and not the way comedians are funny. That always stuck with me. A comedian has to make everything funny: it’s their job. People don’t have to be funny all the time. That’s the kind of “humor” I was going for twixt Freya and Ileana. If something makes you laugh, great, but I wanted them to keep your attention rather than make you chuckle. Now, sometimes I go for the funny, but I’m content with you not cracking a smile while you watch.

I wrote the camera angles in the script because I was directing and I wanted everyone to know what I wanted.

After writing (and reading aloud what I wrote to make sure that it’s easy for the actresses to say), I put out an ad on Craigslist. I hear the site gets lots of flack, but it’s been nothing but good to me, so far. I put out character descriptions, what I was able to pay (nothing, but I’d make lunch and give IMDB credits), and when auditions would be. I got a few replies… then I sent parts of the script and got fewer re-replies. I knew that was gonna be the case, though. Freya and Ileana weren’t traditional women, so I was prepared to see a nice drop-off in interested actresses. I wanna point out, though, that I wrote in the ad that I was looking for any race, and that the age range was 20s-40s. I don’t write with anyone in mind, though I do have traits tucked away. It’s a matter of finding the right person for the role, to me, not the right name.

Over a Saturday or a Sunday, I saw a few actresses. One stood out to me as a great Ileana, though she came in for Freya. Lexi had an energy that I thought counterbalanced Ileana’s gloom. Imagine if Fairuza Balk played Lydia, and you have an idea of my mindset. Freya was a character who WAS the spotlight, so having a high-energy actress play her could’ve tipped the scales. Luckily, Lexi understood and latched onto Ileana. Later, she thanked me because, after reading the script, she felt that Freya would’ve been harder for her to pull off. Freya came by way of an actress who almost couldn’t be at the audition. The day that I was gonna reserve the rehearsal room for x amount of hours, I got a reply from Nadia asking if there was space left. She wasn’t sure which character was right, then settled on Freya. Her audition was interesting because she almost talked herself out of it before she started. As a director, you have to be the calm in front of any storm that comes your way, so I just had to be reassuring and patient.

Soon after auditions, I had rehearsals. Part of casting is finding the right performers for one another along with finding the right performers, so I was glad that Lexi and Nadia were friendly as soon as they met. The first day of rehearsals was in a big room with three chairs. I didn’t want them to get too used to acting in the space because the location was a living room. They might plan their routine with chairs in a big room when they’re supposed to be on couches and stairs in a living room. The point of that day was to get them to know their characters and lines so that when they got to the location, they were ready.

I had specific ideas of what I wanted, but casting the right way meant that I didn’t have much to say. It might’ve been weird for the actresses, me not giving lots of direction (especially during filming), but they were doing most of the things I wanted already so all I had to say was “Yeah, that’s fine.” I’m not at all one of those dictatorial directors or asshole directors who feel the only way to get what they want is to scream or treat people like shit. I’ve learned from the best that the best way for actors and actresses to give a great performance (a director doesn’t get great performances) is to make them comfortable. That doesn’t mean be a pushover or let them do whatever the fuck they want, it means to let them feel that they can do anything and be safe doing it. Martin Scorsese and David Lynch don’t get people wanting to work with them again unless they create safe environments, because their films are so intense and demanding.

What surprised me most about Lexi and Nadia was what happened after rehearsals. We only had about a week left before shooting, and they took it upon themselves to rehearse with each other, with no provocation from me. They went to a place that had two couches and rehearsed for a night, then called each other to rehearse throughout the week. They wouldn’t have done that unless they thought the script was good, so I had to make more than sure that I wouldn’t let them down when it came time to direct.

We had a day and a half to shoot, which was whittled down from three days due to life getting in the way. I would’ve preferred to have shot in sequence, but because the first day was the half-day, we had to shoot the stair stuff first. We rehearsed that a few times, but it was hard for them because, y’know, it was the end. They made it through, though, and we finished up on time. The second day was everything else, and we shot that pretty much in sequence. Instead of moving the camera back and forth, we shot all the stuff with one angle, then moved to another one, and on and on. The ladies rocked it so well that we ended up finishing three hours earlier.

Then came editing. I was really up against the clock (two days, in all) because the web series was starting soon and the computer I was editing on was gonna need the space. It wouldn’t have been so bad if my hard drive didn’t make all the footage skip during playback. You can imagine how I felt when I was cutting together Freya talking about Rusty and her half-brother. Luckily, the skipping didn’t mean the rendering was gonna skip, too. What also sucked was that the clips didn’t snap together, so I had to zoom in a lot to make sure they were connected in the work area. There were a few slight hiccups during filming that I knew I could fix in editing, that’s why there are black cards with words during certain shots (to hide the two takes). Then I noticed there was a gap towards the beginning, so I had to slide EVERYTHING incrementally. Then the footage was shorter after that point, so I had to stretch EVERYTHING incrementally. There was a little vignetting added and I wanted to add some grain, but the rendering would’ve taken too long. Then it was just a matter of putting in the credits and the songs I made. Then gloating while feeling geekily proud because I finished editing the same day that SUICIDE SQUAD did.

I burned the short to a DVD and was ready to show it to the world… then I saw that the DVD split the file so that there was an 18-minute clip and a two-minute clip. I fixed it soon after, and released it. It’s submitted to one festival, and I’ll submit it to another at the end of the month. I’m so proud of it because of what I did, and also because of the people involved. Hope you enjoy it and whatever else I do in the future.

Death is for Losers! - Poster