Archive for producer

The Pre-Pre-Production Come-Along of January

Posted in Blog, Making-Of, Uncategorized with tags , , , , , , , , , , , , , , , , , on February 8, 2017 by Rathan Krueger

filmmaking1

Last month was a bit of a preparedness overkill, knowing that making WAKE UP ALONE is gonna be as much of a one-man show as possible. After taking care of The Most Important Part of Filmmaking, copyrighting the script, I made a list of things to do each month leading to the first day of filming (Mayday). January was dedicated to:

  • Looking into the average cost of locations, crew, and equipment
  • Checking The Knife’s “Marble House” for availability
  • Forming a producer list and sending inquiry letters
  • Building a budget
  • Storyboarding
  • Making a style guide [got bumped from February]

Everything got handled except for two things. I didn’t check the Knife song because I wanted it to run through the ending credits… but there wouldn’t be enough people in the credits to use the whole song. The whole song was important because of the idea I had for the credits needed all five minutes and eighteen seconds of it. WAKE UP ALONE isn’t gonna be the only film I make and I highly doubt that I’m gonna forget that ending, so it’s not a big deal. Plan B was for me to make a song, and I have an idea of what to create. The other thing that didn’t get handled was storyboarding, partially because I wanna lock a location before settling into visuals and partially because storyboard notebooks for the 2.35:1 format are expensive for me right now. “Buy a 1.85:1 notebook and draw matte boxes, dummy.” I said expensive for me right now. Once the money starts coming in and I lock a location, I’ll bite the bullet and buy what I need.

Something I’ve learned this year is that the world wants you to succeed, yet is indifferent to whether you do or not. It offers you SO many avenues to do whatever you need, but it’s up to you to take advantage or not. I raided producers’ info for query letters all month with IMDbPro’s free trial, for instance. I’ve found so many great sites that talk about average costs and making budget sheets, and Maureen A. Ryan’s PRODUCER TO PRODUCER has quickly proved invaluable. Spending years absorbing filmmaking info from DVDs, Blu-rays, YouTube, Vimeo, and books, the one person I’ve heard the least from is the producer. Ms. Ryan’s book tears down that wall for the indie producer. Or the indie writer-director-editor-producer. However, there’s an aspect of producing that I dislike. Ms. Ryan’s book goes into detail about how to write a proposal for investors, and I loathed the part where I had to break down WAKE UP ALONE into an economic statement. Not planning the budget (I liked that a lot), describing my film as a product and doing a fucking fantastic job of it. Art is resistance, but it is also commerce.

Making the style guide is one of the most fun parts of this. A style guide is making a folder of pictures that represent clothes, hairstyles, make-up, locations, and cinematography choices for the film. I do NOT want a shitty-looking film just because it has a micro-budget. I’m as far from the mumblecore movement as one can get. Closer to bargain-basement Rococo. Some might feel that it restricts the creative process, but I’d rather everyone know what I want than wasting time trying to figure things out. I’m open to further discovering styles and such, but I also have a very stable foundation for them.

This month has a lot going for it, so I better get to it. There’s a BIG gamble that I’ve been dragging my feet about taking because of the attention, good and bad, it’ll bring. Fortune favors the bold and all that jazz…

The Story So Far

Posted in Blog, Making-Of with tags , , , , , , , , , on June 13, 2014 by Rathan Krueger

The top of the week, I put my producer hat on for the first time. Looks suspiciously like a black fedora. The rest of the month will be dedicated to forming a budget so I can properly apply for a Kickstarter on the 30th. Also gives me a chunk of time to figure out incentives.

This week was about finding the location for my film. It takes place onstage in a theater (clever, clever me). I was looking for an all-encompassing one, a place that’d allow me to shoot as well as rehearse and audition. I could only get one of those, but it’s the most important so, yay. My plan was to shoot at Summer’s end, but the location won’t be available until January. In the bigger picture, that’s great because it’ll give me more time to find actresses and rehearse and junk.

Until I found out about January, I was thinking about which film festival to go to. Sundance is the more prestigious, but Slamdance gave Christopher Nolan his start. When I saw that I’d be too late for Sundance, I didn’t feel bad. Then I saw that because of January, I wouldn’t be able to go to Slamdance, either. Sucks but saves me the train ride and snowy mountains (the two festivals take place near the same time in Colorado). I’m not gonna wait for the next year to go so I might try distributing it myself online. With the eventual goal to get it on DVD. I have a few ideas for DVD special features, too, and another one has come to me as I type this.

I’m still looking for a rehearsal space. I’ve decided to have auditions online. Not quite sure how I’m gonna go about it but I have time.

My “Doctor Who” short story is almost finished, in terms of world-building. Knowing the (made-up) history and landscape of a place helps me write. I’m amazed at the sort of details I focused on. Next week, I’ll start breaking down the plot.

That’s all for now. Off to watch “Enter the Dragon”.